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TWO
PIANOS, ONE VISION
Kyung &
Michael Kim, Duo Piano
The
Kim Duo's unique programme
for Virtuosi Concerts will unfold in the namner of a musical variety
show, as most concerts were performed in the 18th and 19th centuries.
They trace the growth of the piano as an instrument and how it affected
composers' styles, audience expectations and the rise of the virtuoso
performer.

Programme:
"Evolution of the
Piano" - A journey from 1685 and the birth of Bach, Handel and
Scarlatti, through the Enlightenment with Dussek, Mozart and Beethoven,
into the Romantic era with Mendelssohn and Chopin and the 20th Century
with Ravel and Gershwin.
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Select
any of our 2010-11 concerts to
discover more about the
upcoming event, or read all about the concerts that have amazed
audiences.
Opening Night!
Saturday, September 25
QUARTET À LA CARTE
The Miro String Quartet
Program
Notes | Post Concert
Critique
Saturday, October 9
AMERICAN PIANISTIC TREASURES
Jeffrey Siegel, piano
Program
Notes | Post Concert Critique
Saturday, October 23
FROM PARIS WITH ÉLAN
Zodia Trio
Program
Notes | Post Concert Critique
Saturday, November 6
FROM LECLAIR TO ESTACIO
The
Hoebig/ Moroz Duo
Program
Notes | Post
Concert Critique
Saturday, December 4
FOUR HANDS, ONE HEART
Bax and Chung, Piano Duo
Program
Notes | Post Concert Critique
Saturday, December
11
&
Sunday December 12
THE ENGLISH TOUCH
The WSO Chamber Players
Program
Notes | Post Concert Critique
Saturday,
January 22
THE SOUL OF FLAMENCO
Jorge Miguel Flamenco Ensemble
Program
Notes | Post Concert Critique
Saturday,
February 5
SHIMMERING EXPRESSIVENESS
St. Lawrence String Quartet
Program
Notes | Post Concert Critique
Saturday,
February 26
ROMANTIC MASTERWORKS
The WSO Chamber Players
Program
Notes | Post Concert Critique
Saturday,
March 19
FROM ENGLAND
Gould Piano Trio
Program
Notes | Post Concert Critique
Saturday, April 9
TWO PIANOS, ONE VISION
Kyung & Michael Kim, Duo Piano
Program
Notes | Post Concert Critique
Saturday, April 16
STRAD AND STEINWAY
Augustin Hadelich, violin
Angela Cheng, piano
Program
Notes | Post Concert Critique
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